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・ Alexandre Gavard
・ Alexandre Gavras
・ Alexandre Gaydamak
・ Alexandre Geijo
・ Alexandre Gemignani
・ Alexandre Gendebien
・ Alexandre Geniez
・ Alexandre Gillet
・ Alexandre Gingras
・ Alexandre Ginnsz
・ Alexandre Bretillon
・ Alexandre Briancon
・ Alexandre Brongniart
・ Alexandre Brussilovsky
・ Alexandre Buisson
Alexandre Bultos
・ Alexandre Burrows
・ Alexandre Bóveda
・ Alexandre Cabanel
・ Alexandre Calame
・ Alexandre Camille Taponier
・ Alexandre Castellino
・ Alexandre Cazeau de Roumillac
・ Alexandre Cellier
・ Alexandre Cerdeira
・ Alexandre Chan
・ Alexandre Charpentier
・ Alexandre Chatrian
・ Alexandre Chauveau
・ Alexandre Chazalet


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Alexandre Bultos : ウィキペディア英語版
Alexandre Bultos

Alexandre Bultos (18 June 1749, Brussels - 20 September 1787) was a Belgian comic actor and theatre director.
==Life==
The seventh child of Pierre-François Bultos and his wife Marie-Josèphe Lambert, wine merchants and hotelliers, Alexandre made his stage debut in December 1761 aged 12, in ''La Servante maîtresse'' by Pierre Baurans, after the work by Pergolesi, beside his close contemporary Angélique D'Hannetaire (like him, a student of Ignaz Vitzthumb, music-master of the Théâtre de la Monnaie). When this play was reprised two month later, François-Antoine de Chevrier wrote:
From 1767 to 1770 he was part of the Ghent troupe, acted at Strasbourg in 1770, and then acted at Maastricht in Charles Bernardy's troupe, before finally getting to Copenhagen under his own steam. Taken on at Brussels in 1772 as an ensemble member then as Laruette and his comic leads from 1773, he divided his duties with Dazincourt, which sometimes led to tension between Dazincourt and Bultos. Dazincourt left Brussels for Paris in 1776, leaving Bultos alone to fill the lead roles. In 1777 Bultos and his father obtained permission to open a vauxhall in the Parc de Bruxelles and the same year Alexandre became co-director of the Théâtre de la Monnaie alongside Louis-Jean Pin. Five years later, he made his brother Herman (1752-1801) his co-director. Around 1785 he tried to make a debut at the Comédie-Française but was dissuaded by his contemporaries.



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